![fotojournalismus:
Rio de Janeiro, May 2008.
From beach culture
[Credit : Francesco Zizola]](http://25.media.tumblr.com/d1f407bf60b3bcc1db4294dc7425165d/tumblr_mjyxtkoLjx1r44q44o1_1280.jpg)
“Well here it is,” the old man announced, his hair disheveled, his face inflamed by a preternatural exaltation, his eyes sparkling, and panting like a lovesick swain. “Aha! You weren’t expecting such perfection, were you? You’re in the presence of a woman, and you’re still looking for a picture. There’s such depth on this canvas, the air is so real you can no longer distinguish it from the air around yourselves. Where’s the art? Gone, vanished! Here’s true form - the very form of a girl. Haven’t I captured the color, the energy of the line that seems to bound her body? Isn’t this just the phenomenon presented by objects that live in air as fish live in water? Notice how the contours are silhouetted against the background! That back! Doesn’t it look as if you could run your hand down that? It took me seven years’ study to achieve such effects, the conjugation of objects with daylight! And that hair! You see how the light glows through it… You see that breast? Ah! Who could fail to worship her on his knees? The flesh throbs, she’s about to stand up, wait a moment…”
“Do you see anything?” Poussin whispered to Porbus.
“No. Do you?”
“Nothing.”
— The Unknown Masterpiece, Honoré de Balzac